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All-Strokes with Grant House

Important Note to the Viewer

LESSONS: 14 VIDEOS

Grant House - Freestyle Data

Grant House - Freestyle Data

Let's take a look at the data on the 3 x 50s. Free that we filmed with Grant, you're going to be able to look at the times the splits strokes tempo, distance per cycle and breakout distance in the standard evaluate screen, this is where all your videos are stored. So the first thing we're gonna see is the first one is a faster one, which was 22.13. For 53. The second one is 23.86, from below water, and the third one is 24.13. So the second and third one are basically the same. And if we look at the splits between those two 11.59, to 11.48 12.27 12.65, these are very nominal differences. We do notice that in the second one on the above water, he did take one extra stroke toward the end. But the tempo on both links, and the distance per cycle on both links very, very close together. The top one is where he went faster, you can see that he added some strokes, the breakout distance was a little shorter, the distance per cycle was a little shorter, because again, less distance on the underwater and more strokes. What does this mean to you? This means that you must compare yourself against yourself. And so these are relative to grant. And as grant swims and learns these more, he already knows these things. But as he learns more about them, he can experiment better in practice. So this is a standard kind of a set mark for grant that he can then work forward on. As soon as you start to gather your own data. You can start to see whether or not you're improving or you're not improving

Grant House - 50 Free Under Evaluation

Grant House - 50 Free Under Evaluation

Looking at Grant from underwater, the first thing we're gonna see is look at that line. Look at how amazing that direction is just a perfect push off parallel to the surface of the water, slight undulation with the hands or leading with the hands ever so slightly out front to get the body moving in more of a snake like fashion. But upon breakout pape, pay particular attention to how often he gets directly back into this line that is parallel with the surface of the water. Let's watch the head on the breakout. So we can see the hips, the back, the shoulders, the head, the arm directly forward again, not popping up but forward on the breakout head position is incredibly stable, especially for the first few strokes. You can see here the left hand is enters and then Pierce's forward it reaches full extension at full rotation and still both front quadrant beautiful flowing kick behind. Not overly done. I think it was a little short on the turn here. He probably could have gone nine trips. You could see how right here at the end and he's following the hand down. So he definitely swims through the turn on this, which is exactly what you want. Again, look at how parallel to the surface he is on breakout, not lifting the head, everything kind of reaching the surface at the same time. Forward Forward forward that head position and see how much of this we see underwater. How much of his face we see underwater on the breath and a quick turn with the head back to center and a beautiful 50 Free

Grant House - Fast 50 Evaluation

Grant House - Fast 50 Evaluation

On this 50 grand is going faster. So one of the things to notice what to go back and look at the other one, but his feet placement is, is high on the wall in order to get a little bit of a downward exit to get into some deeper water less underwater dolphins because he wants to get up to speed a little bit quicker. But we do notice that his body is still in this breakout position perfectly horizontal to or parallel to the surface of the water. Great head position down, you see that he's attacking the hands much quicker this time. And so we'll see more of a separation between the two hands. So this does constitute a more forward quadrant or catch up type of stroke. And that this hand is entering before this hand passes the shoulder. That does also lead to better connection through the lats and the way that that body pulls the arm back. Great extension forward to the head position. I'm not sure if he's taken a breath yet. So staying we're stable in this one. There's the breath up a little bit in order to get the breath but then settles back down nicely. Great balance, stronger kick and obviously a higher tempo. Look at how the head buries into the turn. Again, beautiful breakout. Look at that catch. So this is what we're trying to do is get this arm into a position that is leveraging on the water as much as possible will notice a lot of the bigger athletes are going to have more of a straighter arm. Then you'll see on some of the bent arm swimmers or the high elbow swimmers. Again this it takes a lot of strength but it does give a lot of surface area in pushing back. So it is beneficial but again you have to be trained in order to do this and it takes years and making sure that the shoulders are properly conditioned to take advantage of that longer lever that we see here. So you get this balanced breath. So it comes up slightly but we never see that bottom goggle leave the water. Again, beautiful job head down into the finish. And again touching low on the wall, not up on the gutter

Grant House - 50 Free Above Evaluation

Grant House - 50 Free Above Evaluation

We're gonna take a quick look at Grants freestyle from above water. Well, the first things we notice is his excellent streamline. So fantastic job here with the hands. We have posted other video in which he starts initiate the first stroke with the top hand had put, you'll notice here that he's initiating with the bottom hand. And so the hands are actually stacked differently than they were on his start. So again, that leads us to believe that he's going for feel. And so whichever is the best hand, for the right situation, it is the same hand, it's just how they're stacked differently here than they were on a breakout video, which will show later. What we're looking at here is how parallel to the surface he is on the breakout, there's no lift of the AED. Everything is very, very forward facing. So just beautiful exit. When we look at the timing of a stroke, we see that he's got a very front quadrant trying timing. And so we've got both hands in front of the head in front of the shoulders at the same time. This makes for great connection so that when he does drop this hand in, the body rotation is going to help pull the arm back. And so everything is connected along his side and down his arm. So a lot of power right there. to both sides, it's the same. So he has great timing, we have the body like look at how much of his body is out of the water on this. So again, you don't get this without great balance. Look at his breath, how low the head stays on the breath, turn, and then back down. And you'll also notice that the breath does not hinder his timing. Again, amazing balance. He approaches the wall and one of the big things here to notice is that as most people approach the wall, they're going to see you're going to see the head pop up so it's going to go down, the head is going to pop up and then they'll go down and around. So here's a great 200 freestyler the head goes down, you don't see it again. So he's down and it disappears and we get this nice bow wave right there with his upper back. It streamline and again, very parallel look at look at his hips out of the water on the breakout in the breath. Now everybody will tell you you're not allowed to take a breath on the first stroke unless you can look like this. So air is good. And the most important thing in my opinion is not when you take a breath but how you take a breath. And if we teach people to breathe more effectively, they can breathe more often because it doesn't impact balance. And air is fuel while your race kick is consistent. See the feet coming out every once in a while. The air that's been pulled down with the feet allows for greater foot speed so he can hammer on the kick a little bit better submerging into the finish. Again, the little details making sure that the eyes are not up and the hands are not on the gutter, but going directly forward to the finish not up. Great job.